AndrewDavidSotomayor PhotobyJJIgnotz 2Andrew David Sotomayor is an award-winning musician based in NYC. Music directing credits include Tootsie and Escape to Margaritaville (First National Tours), and Curvy Widow (Off-Broadway Premiere). As a composer, he has provided music and lyrics for the original musicals 50 Shades of F***d Up, Committed, Sarah Crewe, The Circus Animals, Guardians, and Third Party Ruling, as well as scores for the audiobook The Influential Voice, the short film Cuba 1961: A Love Story, and the independent feature film, BX3M.

A passionate educator, he has enjoyed several years on the teaching faculty at Paper Mill Playhouse - teaching at both their July Conservatory and August Intensive. He is a proud graduate of Stetson University, Florida.

KeatonKeaton Garrett is a collaborative composer and saxophonist based in Michigan. His work is informed by his experiences performing in chamber ensembles as a classical saxophonist, while also being influenced by whatever he is listening to at the moment. His musical grammar is dynamic from work to work but at its core synthesizes concepts of collaboration, timbre, texture, line, and audible/tangible processes.

Keaton completed graduate studies in composition and saxophone performance at Michigan State University with Dr. David Biedenbender, Dr. Alexis Bacon, Dr. Lyn Goeringer, and Professor Joseph Lulloff. Keaton also completed a music education degree from Stephen F. Austin State University, studying composition and saxophone under Dr. Stephen Lias and Dr. Nathan Nabb. Keaton is currently the saxophonist for the Zenith Reed Quintet and Cadre Trio. His saxophone and wind ensemble music is published by MurphyMusicPress.

 K5A1111 EditBassoonist and educator Ryan D. Romine serves as Associate Professor of Bassoon and Music Theory at Shenandoah Conservatory (Winchester, VA, USA). An in-demand orchestral bassoonist, he regularly performs with the Roanoke Symphony Orchestra, Opera Roanoke, and the Maryland Symphony Orchestra. As a solo performer and avid researcher, he has dedicated himself to a career of presenting rediscovered works to audiences worldwide. His debut solo album of French contest pieces, Première, was hailed as “an absolutely brilliant CD…bringing back from oblivion some truly beautiful music, played with precision and lyricism…” and his rediscovery of Jacques Ibert’s Morceau de lecture for bassoon and piano in 2018 made international news.

An active supporter of contemporary composers, Ryan has premiered numerous works—including his own—for audiences worldwide. Stemming from these interests, in 2019 he published Bassoon Reimagined, a comprehensive bassoon extended technique resource designed for both performers and composers. Ryan contributes to the academic side of his profession as only the third bassoon editor in the history of the International Double Reed Society (IDRS).

Originally from Newark, OH, Ryan holds his undergraduate degree in music education from The Ohio State University and his MM and DMA in bassoon performance from Michigan State University. His primary teachers include Christopher Weait and Michael Kroth. For more info about Ryan and his musical endeavors, visit www.ryanromine.net.

HockenberryDr. Rachel Hockenberry is the Assistant Professor of Horn at Illinois State University, where she teaches horn lessons, horn pedagogy, warmup class, and studio class, conducts the ISU horn choir, and performs regularly with the ISU Faculty Brass Quintet. An active freelance musician, Rachel has performed with the Cincinnati, Columbus, Santa Barbara, Illinois, Quad Cities, Peoria, and Dubuque Symphonies, Orchestra Kentucky, and many others. She has also performed with artists such as Billy Idol, Pete Townshend, and Jon Batiste, and has recorded for television series. She is principal horn of the Queen City Opera, where in October of 2015 she performed the “Long Call” from Act II of Richard Wagner’s Siegfried. She is a hornist with the Maryland Chamber Winds and can be heard on both of the group’s albums. She has toured with the Stiletto Brass Quintet and is the hornist on their album, Scarpe!

Before Illinois State, Rachel was the horn professor at Pasadena City College and Los Angeles City College, and kept a large private studio of young hornists throughout Los Angeles County who successfully auditioned into the California All State and All Southern Bands and the Colburn Youth Orchestra. She incorporates elements of El Sistema - a music education philosophy based on the belief that music is a transformative and fundamental human right for all people - into every aspect of her teaching career. Rachel is a graduate of the Sistema Fellows Program at the New England Conservatory of Music, and has completed residencies with El Sistema programs in Venezuela and across the United States. Upon graduation from the Sistema Fellowship, she became the founding director of Kentucky’s first El Sistema inspired program, North Limestone MusicWorks.

A Virginia native, Rachel received her bachelor's degree in horn performance from James Madison University. She earned her masters and doctoral degrees in horn performance from the University of Cincinnati College-Conservatory of Music, with cognate studies in arts administration. Primary teachers include Randy Gardner, Tom Sherwood, Liz Freimuth, Duane Dugger and Abigail Pack, with additional instruction from David Ohanian and Roger Kaza.

In her free time, Rachel enjoys teaching yoga classes, doing gymnastics, eating vegan food, and hanging out with her dogs and cats.

Instrumentalists and vocalists at New England Music Camp spend their mornings in four one-hour periods of music taught by a prestigious faculty of professional performers and educators from universities, colleges, and highly recognized public and private school music programs. A 4:1 faculty to student ratio provides an environment rich in sharing and learning. Students and their teachers at home often remark that “one summer of music at NEMC is like a year at home”!

Campers at New England Music Camp design their own schedules, choosing from a wide range of classes. The weekly schedule includes two one half-hour private lessons, with the option to add additional lesson time, and participation in one or more of the major performing groups. Public performances take place on Saturdays and Sundays at 3pm at our outdoor amphitheater, the Bowl-in-the-Pines.

Snow Pond Center for the Arts is an equal opportunity employer that is committed to diversity and inclusion in the workplace. We prohibit discrimination and harassment of any kind based on race, color, sex, religion, sexual orientation, national origin, disability, genetic information, pregnancy, or any other protected characteristic as outlined by federal, state, or local laws.

This policy applies to all employment practices within our organization, including hiring, recruiting, promotion, termination, layoff, recall, leave of absence, compensation, benefits, training, and apprenticeship. Snow Pond Center for the Arts makes hiring decisions based solely on qualifications, merit, and business needs at the time. 

clarinet teacherFaculty members at New England Music Camp are carefully chosen for both their achievements as professional performers and their recognition for excellence in teaching. We live in a close knit community where we dine family style and many of our faculty enjoy joining the campers on the recreation fields.

 

Click on the appropriate department below to read faculty bios.

Snow Pond Center for the Arts